commit 7f7452871538171ef64e8484e732e76b40bdf5ad Author: itismadness Date: Tue Nov 13 10:11:16 2018 +0000 Initial commit of interview site diff --git a/.gitignore b/.gitignore new file mode 100644 index 0000000..e43b0f9 --- /dev/null +++ b/.gitignore @@ -0,0 +1 @@ +.DS_Store diff --git a/Guide-FLAC-Classical.jpg b/Guide-FLAC-Classical.jpg new file mode 100644 index 0000000..12d07c5 Binary files /dev/null and b/Guide-FLAC-Classical.jpg differ diff --git a/Guide-FLAC.jpg b/Guide-FLAC.jpg new file mode 100644 index 0000000..bd0a4a6 Binary files /dev/null and b/Guide-FLAC.jpg differ diff --git a/Guide-MP3-128-CBR.jpg b/Guide-MP3-128-CBR.jpg new file mode 100644 index 0000000..c282e6a Binary files /dev/null and b/Guide-MP3-128-CBR.jpg differ diff --git a/Guide-MP3-192-CBR.jpg b/Guide-MP3-192-CBR.jpg new file mode 100644 index 0000000..40a3d42 Binary files /dev/null and b/Guide-MP3-192-CBR.jpg differ diff --git a/Guide-MP3-192-to-FLAC.jpg b/Guide-MP3-192-to-FLAC.jpg new file mode 100644 index 0000000..e7c961b Binary files /dev/null and b/Guide-MP3-192-to-FLAC.jpg differ diff --git a/Guide-MP3-256-CBR.jpg b/Guide-MP3-256-CBR.jpg new file mode 100644 index 0000000..7794738 Binary files /dev/null and b/Guide-MP3-256-CBR.jpg differ diff --git a/Guide-MP3-320-CBR.jpg b/Guide-MP3-320-CBR.jpg new file mode 100644 index 0000000..52155d0 Binary files /dev/null and b/Guide-MP3-320-CBR.jpg differ diff --git a/Guide-MP3-V0.jpg b/Guide-MP3-V0.jpg new file mode 100644 index 0000000..c1e85ee Binary files /dev/null and b/Guide-MP3-V0.jpg differ diff --git a/Guide-MP3-V2.jpg b/Guide-MP3-V2.jpg new file mode 100644 index 0000000..f4722f8 Binary files /dev/null and b/Guide-MP3-V2.jpg differ diff --git a/after-the-interview.php b/after-the-interview.php new file mode 100644 index 0000000..ca8b6e8 --- /dev/null +++ b/after-the-interview.php @@ -0,0 +1,17 @@ +*POSTING THE CONTENTS OF THIS INTERVIEW ANYWHERE OR SHOWING IT TO ANYONE WILL COST YOU YOUR ACCOUNT OR FUTURE INTERVIEWS!* +

You Passed!

+Hooray! Nice job answering all of those questions. After you log in, make sure you re-read and follow the Golden Rules. It is helpful to download the ' . $SITENAME . ' Toolbox (which is freeleech) for programs that most of us use. Then get going! Post in the forums, upload your own CD rips, chat with us in IRC, download music… +

You Failed!

+That stinks. Don’t worry, the interview is meant to be educational, which is why you have a total of three tries to pass the interview. Study up on this site and try again after 48 hours (2 days) have passed.

+If you have failed three times, you may not interview again. However, you may still be invited by a friend!'); + +newsbot(); + + include('publicfooter.php'); +?> \ No newline at end of file diff --git a/analog-and-digital-music-sources.php b/analog-and-digital-music-sources.php new file mode 100644 index 0000000..3c944e4 --- /dev/null +++ b/analog-and-digital-music-sources.php @@ -0,0 +1,33 @@ +Music uploaded to ' . $SITENAME . ' comes from two main sources: analog media and digital media.

+ +

Analog Music Sources

+An analog music source must use an analog to digital converter like a sound card to convert physical changes in an analog medium to a digital file that a computer can read. An analog medium is an object that stores music by being physically altered. +

Examples

+ +Analog recordings can be ripped into digital music files, such as FLAC and MP3. Vinyl records are always approved for uploads, but moderator approval is required for uploads sourced from cassette tapes and other analog media. +

Digital Music Sources

+A digital music source has already been encoded into a format that a computer can read, so no conversion is necessary. A digital medium is an object that stores music in digital files (a string of binary numbers). +

Examples

+ +Digital music sources can be uploaded to ' . $SITENAME . ' after using spectral analysis to check for lossy transcodes. +

Analog Music Sources vs. Digital Music Sources

+There is still much debate about whether analog and digital sources sound different. Some people prefer the “feel” of vinyl and think that music on vinyl records sounds “warmer” and “fuller”. Others think that digital sources provide an unadulterated and pristine listening experience. ' . $SITENAME . ' allows both, so you can download and make your own judgement!'); + +newsbot(); + + include('publicfooter.php'); +?> \ No newline at end of file diff --git a/audio-formats.php b/audio-formats.php new file mode 100644 index 0000000..5cdf35d --- /dev/null +++ b/audio-formats.php @@ -0,0 +1,65 @@ +audio format is a type of computer file that stores music. Music formats are either uncompressed lossless, compressed lossless, or lossy. +

Bitrates

+A bitrate is the number of bits conveyed or transferred in a unit of time. When talking about music formats, bitrate is used in kilobits per second (kbps). When comparing files with different bitrates (of the same song), the file with the higher bitrate has the higher quality. +For example, an MP3 320kbps (CBR) file transfers 320 kilobits per second. +

Uncompressed Lossless

+Uncompressed lossless formats store all of the original recorded data. Since silence is given the same number of bits per second as sound is, uncompressed lossless files are huge. The main uncompressed lossless format is pulse-code modulation (PCM). +

Examples

+ +

Compressed Lossless

+Compressed lossless formats store all of the original recorded data in less space than uncompressed lossless formats by compressing the data. By giving silence almost no bits per second and compressing sound, a compressed lossless file is usually half as big as the same song stored in an uncompressed lossless file. +Since both uncompressed lossless formats and compressed lossless formats retain all the data from the original recording, they can be transcoded between each other without a loss in quality. +

Examples

+ +

Lossy

+Lossy formats are always compressed. Lossy formats have smaller file sizes than both uncompressed lossless formats and compressed lossless formats because they remove some of the original data. Usually the removed data is in the higher frequencies that humans can’t hear, however, there can be obvious audible differences between lossy formats and lossless formats. +Because lossy formats remove data during compression (and thus lose quality), lossy formats CANNOT be transcoded to lossless formats or other lossy formats without losing more quality. +

Examples

+ +

File Size

+Here’s an example of how the file size of the same song varies depending on whether the song’s format is uncompressed lossless, compressed lossless, or lossy. Let’s take the classic pop song, Sk8er Boi by Avril Lavigne. For reference, the song is 3 minutes, 24 seconds long.

+Uncompressed Lossless — WAV (PCM): 34.3 MB
+Compressed Lossless — FLAC: 25.75 MB (25% compressed)
+Lossy — MP3 320 (CBR): 7.78 MB (78% compressed)
+

Transparency

+Transparency is a term used to describe the audible quality of a lossy music file. A lossy file is considered transparent if the average human cannot tell the difference between the lossy file and a lossless file of the same song by just listening to both without knowing which file is which. +For most people, MP3 192kbps (CBR) is considered transparent. +

Allowed Formats

+While there are several types of lossless and lossy music formats, only a few are allowed to be uploaded to ' . $SITENAME . '. +

Allowed Lossless Formats

+ +Because lossless formats can be transcoded between each other without a loss in quality, the only allowed lossless format on ' . $SITENAME . ' is FLAC. However, you can download the FLAC and convert to ALAC (for iTunes) or whatever lossless or lossy format you prefer. +

Allowed Lossy Formats

+ +MP3 is the most popular lossy format on ' . $SITENAME . '. We allow AAC files bought from the iTunes store because there are often iTunes-specific bonus tracks, and since AAC is lossy it cannot be converted to other formats without a loss in quality. Similarly, AC3 and DTS are music formats often found on DVDs and since they are lossy, they cannot be converted to other formats without a loss in quality.'); + +newsbot(); + + include('publicfooter.php'); +?> \ No newline at end of file diff --git a/bittorrent-client-whitelist.php b/bittorrent-client-whitelist.php new file mode 100644 index 0000000..571906a --- /dev/null +++ b/bittorrent-client-whitelist.php @@ -0,0 +1,90 @@ +The following BitTorrent clients are on the ' . $SITENAME . ' whitelist:

+ +If there is an “x” behind a decimal, that means that any number can be substituted for the x. For example: uTorrent 2.0.x means that uTorrent 2.0.0, 2.0.1, 2.0.2, 2.0.3, 2.0.4, etc. are all on the whitelist.

+Last updated: 22 May 2013'); + +newsbot(); + + include('publicfooter.php'); +?> \ No newline at end of file diff --git a/cd-burning-and-cd-ripping.php b/cd-burning-and-cd-ripping.php new file mode 100644 index 0000000..43c9333 --- /dev/null +++ b/cd-burning-and-cd-ripping.php @@ -0,0 +1,18 @@ +CD ripping is a way to extract the music files from a CD. CD burning is a way to make a CD from music files. +

Log Files

+A log file is a text file with the file extension “.log”. Like its name suggests, it acts as a log of the entire ripping process and it records any errors that may have occurred. You may not, for any reason, modify a log file. It is strictly against the rules and you will be warned for a very long time. Click here to see an example of a log file. +

Cue Files

+A cue file is a text file with the file extension “.cue”. Cue files act as a catalog or a table of contents of a CD and allow you to burn a CD identical to an original CD. Click here to see an example of a cue file. +

Suggested CD Ripping Programs

+' . $SITENAME . ' suggests using Exact Audio Copy (EAC) on Windows or Linux (with Wine), and XLD on Mac OS. Both EAC and XLD produce high quality rips with sufficient logs to prove that the files are up to standard.'); + +newsbot(); + + include('publicfooter.php'); +?> \ No newline at end of file diff --git a/config.php b/config.php new file mode 100644 index 0000000..be40e3b --- /dev/null +++ b/config.php @@ -0,0 +1,18 @@ +"); +} + +function newsbox($heading = '', $text = '') { + print("
" . ($heading ? "$heading" : "") . "
" . ($text ? "$text" : "") . "
\n"); +} + +function newsbot() { + print(""); +} + +?> \ No newline at end of file diff --git a/cue-file.php b/cue-file.php new file mode 100644 index 0000000..a39e392 --- /dev/null +++ b/cue-file.php @@ -0,0 +1,124 @@ +REM GENRE Classical
+REM DATE 1986
+REM DISCID D20AFB11
+REM COMMENT "ExactAudioCopy v1.0b3"
+CATALOG 0028941446022
+PERFORMER "Cristina Ortiz, Pascal Roge, London Sinfonietta, Philharmonia Orchestra, Char..."
+TITLE "Carnaval Des Animaux, Danse Macabre, etc." +FILE “01 The Carnival of the Animals – Introduction and Royal March of the Lion.wav” WAVE
+TRACK 01 AUDIO
+TITLE “The Carnival of the Animals – Introduction and Royal March of the Lion”
+PERFORMER “Cristina Ortiz, Pascal Roge, London Sinfonietta, Philharmonia Orchestra, Char…”
+ISRC GBF078040301
+PREGAP 00:00:32
+INDEX 01 00:00:00 +FILE “02 The Carnival of the Animals – Hens and Cockerels.wav” WAVE
+TRACK 02 AUDIO
+TITLE “The Carnival of the Animals – Hens and Cockerels”
+PERFORMER “Cristina Ortiz, Pascal Roge, London Sinfonietta, Philharmonia Orchestra, Char…”
+ISRC GBF078040302
+INDEX 01 00:00:00 +FILE “03 The Carnival of the Animals – Wild Asses.wav” WAVE
+TRACK 03 AUDIO
+TITLE “The Carnival of the Animals – Wild Asses”
+PERFORMER “Cristina Ortiz, Pascal Roge, London Sinfonietta, Philharmonia Orchestra, Char…”
+ISRC GBF078040303
+INDEX 01 00:00:00 +FILE “04 The Carnival of the Animals – Tortoises.wav” WAVE
+TRACK 04 AUDIO
+TITLE “The Carnival of the Animals – Tortoises”
+PERFORMER “Cristina Ortiz, Pascal Roge, London Sinfonietta, Philharmonia Orchestra, Char…”
+ISRC GBF078040304
+INDEX 01 00:00:00 +FILE “05 The Carnival of the Animals – The Elephant.wav” WAVE
+TRACK 05 AUDIO
+TITLE “The Carnival of the Animals – The Elephant”
+PERFORMER “Cristina Ortiz, Pascal Roge, London Sinfonietta, Philharmonia Orchestra, Char…”
+ISRC GBF078040305
+INDEX 01 00:00:00 +FILE “06 The Carnival of the Animals – Kangaroos.wav” WAVE
+TRACK 06 AUDIO
+TITLE “The Carnival of the Animals – Kangaroos”
+PERFORMER “Cristina Ortiz, Pascal Roge, London Sinfonietta, Philharmonia Orchestra, Char…”
+ISRC GBF078040306
+INDEX 01 00:00:00 +FILE “07 The Carnival of the Animals – Aquarium.wav” WAVE
+TRACK 07 AUDIO
+TITLE “The Carnival of the Animals – Aquarium”
+PERFORMER “Cristina Ortiz, Pascal Roge, London Sinfonietta, Philharmonia Orchestra, Char…”
+ISRC GBF078040307
+INDEX 01 00:00:00 +FILE “08 The Carnival of the Animals – Persons With Long Ears.wav” WAVE
+TRACK 08 AUDIO
+TITLE “The Carnival of the Animals – Persons With Long Ears”
+PERFORMER “Cristina Ortiz, Pascal Roge, London Sinfonietta, Philharmonia Orchestra, Char…”
+ISRC GBF078040308
+INDEX 01 00:00:00 +FILE “09 The Carnival of the Animals – The Cuckoo In the Depths of the Woods.wav” WAVE
+TRACK 09 AUDIO
+TITLE “The Carnival of the Animals – The Cuckoo In the Depths of the Woods”
+PERFORMER “Cristina Ortiz, Pascal Roge, London Sinfonietta, Philharmonia Orchestra, Char…”
+ISRC GBF078040309
+INDEX 01 00:00:00 +FILE “10 The Carnival of the Animals – Aviary.wav” WAVE
+TRACK 10 AUDIO
+TITLE “The Carnival of the Animals – Aviary”
+PERFORMER “Cristina Ortiz, Pascal Roge, London Sinfonietta, Philharmonia Orchestra, Char…”
+ISRC GBF078040310
+INDEX 01 00:00:00 +FILE “11 The Carnival of the Animals – Pianists.wav” WAVE
+TRACK 11 AUDIO
+TITLE “The Carnival of the Animals – Pianists”
+PERFORMER “Cristina Ortiz, Pascal Roge, London Sinfonietta, Philharmonia Orchestra, Char…”
+ISRC GBF078040311
+INDEX 01 00:00:00 +FILE “12 The Carnival of the Animals – Fossils.wav” WAVE
+TRACK 12 AUDIO
+TITLE “The Carnival of the Animals – Fossils”
+PERFORMER “Cristina Ortiz, Pascal Roge, London Sinfonietta, Philharmonia Orchestra, Char…”
+ISRC GBF078040312
+INDEX 01 00:00:00 +FILE “13 The Carnival of the Animals – The Swam.wav” WAVE
+TRACK 13 AUDIO
+TITLE “The Carnival of the Animals – The Swam”
+PERFORMER “Cristina Ortiz, Pascal Roge, London Sinfonietta, Philharmonia Orchestra, Char…”
+ISRC GBF078040313
+INDEX 01 00:00:00 +FILE “14 The Carnival of the Animals – Finale.wav” WAVE
+TRACK 14 AUDIO
+TITLE “The Carnival of the Animals – Finale”
+PERFORMER “Cristina Ortiz, Pascal Roge, London Sinfonietta, Philharmonia Orchestra, Char…”
+ISRC GBF078040314
+INDEX 01 00:00:00 +TRACK 15 AUDIO
+TITLE “Phaeton, Op.39″
+PERFORMER “Cristina Ortiz, Pascal Roge, London Sinfonietta, Philharmonia Orchestra, Char…”
+ISRC GBF078010130
+INDEX 00 01:53:52
+FILE “15 Phaeton, Op.39.wav” WAVE
+INDEX 01 00:00:00 +TRACK 16 AUDIO
+TITLE “Le Rouet d’Omphale, Op. 31″
+PERFORMER “Cristina Ortiz, Pascal Roge, London Sinfonietta, Philharmonia Orchestra, Char…”
+ISRC GBF078010140
+INDEX 00 08:59:50
+FILE “16 Le Rouet d’Omphale, Op. 31.wav” WAVE
+INDEX 01 00:00:00 +TRACK 17 AUDIO
+TITLE “Danse Macabre, Op. 40″
+PERFORMER “Cristina Ortiz, Pascal Roge, London Sinfonietta, Philharmonia Orchestra, Char…”
+ISRC GBF078010150
+INDEX 00 07:41:43
+FILE “17 Danse Macabre, Op. 40.wav” WAVE
+INDEX 01 00:00:00'); + +newsbot(); + + include('publicfooter.php'); +?> \ No newline at end of file diff --git a/favicon.ico b/favicon.ico new file mode 100644 index 0000000..9c6ca41 Binary files /dev/null and b/favicon.ico differ diff --git a/index.php b/index.php new file mode 100644 index 0000000..0fc702c --- /dev/null +++ b/index.php @@ -0,0 +1,16 @@ +
Note: If you have previously had an account on ' . $SITENAME . ', go to #disabled on IRC and follow the directions in the topic in order to talk to a moderator about getting your account re-enabled. DO NOT try to interview, or your accounts will be permanently banned.'); + +newsbot(); + + include('publicfooter.php'); +?> \ No newline at end of file diff --git a/log-file.php b/log-file.php new file mode 100644 index 0000000..dd9be2d --- /dev/null +++ b/log-file.php @@ -0,0 +1,223 @@ +Exact Audio Copy V1.0 beta 3 from 29. August 2011
+EAC extraction logfile from 15. January 2012, 16:23
+
+ +Cristina Ortiz, Pascal Rogé, London Sinfonietta, Philharmonia Orchestra, Charles Dutoit / Carnaval Des Animaux, Danse Macabre, etc. +Used drive : hp DVDRAM GT31L Adapter: 1 ID: 0 +Read mode : Secure
+Utilize accurate stream : Yes
+Defeat audio cache : Yes
+Make use of C2 pointers : No +Read offset correction : 103
+Overread into Lead-In and Lead-Out : No
+Fill up missing offset samples with silence : Yes
+Delete leading and trailing silent blocks : No
+Null samples used in CRC calculations : Yes
+Used interface : Native Win32 interface for Win NT & 2000
+Gap handling : Appended to previous track +Used output format : User Defined Encoder
+Selected bitrate : 768 kBit/s
+Quality : High
+Add ID3 tag : No
+Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
+Additional command line options : -8 -V -T “ARTIST=%artist%” -T “TITLE=%title%” -T “ALBUM=%albumtitle%” -T “DATE=%year%” -T “TRACKNUMBER=%tracknr%” -T “GENRE=%genre%” -T “PERFORMER=%albuminterpret%” -T “COMPOSER=%composer%” %haslyrics%–tag-from-file=LYRICS=”%lyricsfile%”%haslyrics% -T “ALBUMARTIST=%albumartist%” -T “DISCNUMBER=%cdnumber%” -T “TOTALDISCS=%totalcds%” -T “TOTALTRACKS=%numtracks%” -T “COMMENT=%comment%” %source% -o %dest% +TOC of the extracted CD +Track | Start | Length | Start sector | End sector
+———————————————————
+1 | 0:00.32 | 2:18.50 | 32 | 10431
+2 | 2:19.07 | 0:56.70 | 10432 | 14701
+3 | 3:16.02 | 0:30.33 | 14702 | 16984
+4 | 3:46.35 | 2:16.30 | 16985 | 27214
+5 | 6:02.65 | 1:30.52 | 27215 | 34016
+6 | 7:33.42 | 0:56.40 | 34017 | 38256
+7 | 8:30.07 | 2:31.13 | 38257 | 49594
+8 | 11:01.20 | 0:44.32 | 49595 | 52926
+9 | 11:45.52 | 2:33.05 | 52927 | 64406
+10 | 14:18.57 | 1:11.30 | 64407 | 69761
+11 | 15:30.12 | 1:20.43 | 69762 | 75804
+12 | 16:50.55 | 1:19.42 | 75805 | 81771
+13 | 18:10.22 | 2:45.23 | 81772 | 94169
+14 | 20:55.45 | 2:00.35 | 94170 | 103204
+15 | 22:56.05 | 9:05.17 | 103205 | 144096
+16 | 32:01.22 | 7:47.55 | 144097 | 179176
+17 | 39:49.02 | 7:02.28 | 179177 | 210854 +Track 1 +Filename C:\supergirl\Saint-Saëns – [1986] Carnaval Des Animaux – FLAC\01 The Carnival of the Animals – Introduction and Royal March of the Lion.wav +Pre-gap length 0:00:02.42 +Peak level 84.5 %
+Extraction speed 1.1 X
+Track quality 100.0 %
+Test CRC 02B2C5A6
+Copy CRC 02B2C5A6
+Accurately ripped (confidence 6) [82150DD4] (AR v2)
+Copy OK +Track 2 +Filename C:\supergirl\Saint-Saëns – [1986] Carnaval Des Animaux – FLAC\02 The Carnival of the Animals – Hens and Cockerels.wav +Peak level 96.6 %
+Extraction speed 0.8 X
+Track quality 100.0 %
+Test CRC A4347D00
+Copy CRC A4347D00
+Accurately ripped (confidence 6) [BBD65E6C] (AR v2)
+Copy OK +Track 3 +Filename C:\supergirl\Saint-Saëns – [1986] Carnaval Des Animaux – FLAC\03 The Carnival of the Animals – Wild Asses.wav +Peak level 65.3 %
+Extraction speed 0.6 X
+Track quality 100.0 %
+Test CRC CFCBC616
+Copy CRC CFCBC616
+Accurately ripped (confidence 6) [D19E8AAC] (AR v2)
+Copy OK +Track 4 +Filename C:\supergirl\Saint-Saëns – [1986] Carnaval Des Animaux – FLAC\04 The Carnival of the Animals – Tortoises.wav +Peak level 19.4 %
+Extraction speed 1.2 X
+Track quality 100.0 %
+Test CRC 36E81413
+Copy CRC 36E81413
+Accurately ripped (confidence 6) [2491EF1B] (AR v2)
+Copy OK +Track 5 +Filename C:\supergirl\Saint-Saëns – [1986] Carnaval Des Animaux – FLAC\05 The Carnival of the Animals – The Elephant.wav +Peak level 42.8 %
+Extraction speed 1.1 X
+Track quality 100.0 %
+Test CRC 81C42635
+Copy CRC 81C42635
+Accurately ripped (confidence 6) [7B5CAA69] (AR v2)
+Copy OK +Track 6 +Filename C:\supergirl\Saint-Saëns – [1986] Carnaval Des Animaux – FLAC\06 The Carnival of the Animals – Kangaroos.wav +Peak level 21.1 %
+Extraction speed 1.0 X
+Track quality 100.0 %
+Test CRC 86DF0B32
+Copy CRC 86DF0B32
+Accurately ripped (confidence 6) [69645986] (AR v2)
+Copy OK +Track 7 +Filename C:\supergirl\Saint-Saëns – [1986] Carnaval Des Animaux – FLAC\07 The Carnival of the Animals – Aquarium.wav +Peak level 15.3 %
+Extraction speed 1.4 X
+Track quality 100.0 %
+Test CRC 70CEB73E
+Copy CRC 70CEB73E
+Accurately ripped (confidence 6) [B02ACADA] (AR v2)
+Copy OK +Track 8 +Filename C:\supergirl\Saint-Saëns – [1986] Carnaval Des Animaux – FLAC\08 The Carnival of the Animals – Persons With Long Ears.wav +Peak level 38.6 %
+Extraction speed 0.9 X
+Track quality 100.0 %
+Test CRC 72EC17F7
+Copy CRC 72EC17F7
+Accurately ripped (confidence 6) [928158B2] (AR v2)
+Copy OK +Track 9 +Filename C:\supergirl\Saint-Saëns – [1986] Carnaval Des Animaux – FLAC\09 The Carnival of the Animals – The Cuckoo In the Depths of the Woods.wav +Peak level 28.7 %
+Extraction speed 1.2 X
+Track quality 99.9 %
+Test CRC 26E7795D
+Copy CRC 26E7795D
+Accurately ripped (confidence 6) [C3085BD2] (AR v2)
+Copy OK +Track 10 +Filename C:\supergirl\Saint-Saëns – [1986] Carnaval Des Animaux – FLAC\10 The Carnival of the Animals – Aviary.wav +Peak level 30.7 %
+Extraction speed 0.9 X
+Track quality 99.8 %
+Test CRC 7EE7915A
+Copy CRC 7EE7915A
+Accurately ripped (confidence 6) [5E018440] (AR v2)
+Copy OK +Track 11 +Filename C:\supergirl\Saint-Saëns – [1986] Carnaval Des Animaux – FLAC\11 The Carnival of the Animals – Pianists.wav +Peak level 80.3 %
+Extraction speed 1.3 X
+Track quality 100.0 %
+Test CRC A817D1F6
+Copy CRC A817D1F6
+Accurately ripped (confidence 6) [2113D305] (AR v2)
+Copy OK +Track 12 +Filename C:\supergirl\Saint-Saëns – [1986] Carnaval Des Animaux – FLAC\12 The Carnival of the Animals – Fossils.wav +Peak level 96.4 %
+Extraction speed 1.3 X
+Track quality 100.0 %
+Test CRC E646BF1F
+Copy CRC E646BF1F
+Accurately ripped (confidence 6) [576E3E90] (AR v2)
+Copy OK +Track 13 +Filename C:\supergirl\Saint-Saëns – [1986] Carnaval Des Animaux – FLAC\13 The Carnival of the Animals – The Swam.wav +Peak level 20.4 %
+Extraction speed 1.4 X
+Track quality 99.9 %
+Test CRC 89452B36
+Copy CRC 89452B36
+Accurately ripped (confidence 6) [82E6E150] (AR v2)
+Copy OK +Track 14 +Filename C:\supergirl\Saint-Saëns – [1986] Carnaval Des Animaux – FLAC\14 The Carnival of the Animals – Finale.wav +Peak level 96.2 %
+Extraction speed 1.3 X
+Track quality 99.9 %
+Test CRC 6A762DD1
+Copy CRC 6A762DD1
+Accurately ripped (confidence 6) [B07FC137] (AR v2)
+Copy OK +Track 15 +Filename C:\supergirl\Saint-Saëns – [1986] Carnaval Des Animaux – FLAC\15 Phaéton, Op.39.wav +Pre-gap length 0:00:06.77 +Peak level 94.0 %
+Extraction speed 2.1 X
+Track quality 100.0 %
+Test CRC E7A615E8
+Copy CRC E7A615E8
+Accurately ripped (confidence 6) [35EB084F] (AR v2)
+Copy OK +Track 16 +Filename C:\supergirl\Saint-Saëns – [1986] Carnaval Des Animaux – FLAC\16 Le Rouet d’Omphale, Op. 31.wav +Pre-gap length 0:00:05.56 +Peak level 72.4 %
+Extraction speed 2.3 X
+Track quality 100.0 %
+Test CRC 549B3A27
+Copy CRC 549B3A27
+Accurately ripped (confidence 6) [156BA3C2] (AR v2)
+Copy OK +Track 17 +Filename C:\supergirl\Saint-Saëns – [1986] Carnaval Des Animaux – FLAC\17 Danse Macabre, Op. 40.wav +Pre-gap length 0:00:06.16 +Peak level 94.8 %
+Extraction speed 2.4 X
+Track quality 100.0 %
+Test CRC FC1FDFD2
+Copy CRC FC1FDFD2
+Accurately ripped (confidence 6) [4E8EC433] (AR v2)

+ +Copy OK
+ +All tracks accurately ripped
+ +No errors occurred
+ +End of status report
+
+ +==== Log checksum 763F2940331FFA47700C10A3703F9BB3EB07ED2BCE6F0C66C4A18BAA4D4886E8 ==== +'); + +newsbot(); + + include('publicfooter.php'); +?> \ No newline at end of file diff --git a/mp3.php b/mp3.php new file mode 100644 index 0000000..bcc3abb --- /dev/null +++ b/mp3.php @@ -0,0 +1,24 @@ +LAME +LAME Ain’t An MP3 Encoder, (LAME) is an encoder that converts and compresses any input audio file and outputs an MP3 file. The resulting MP3 file can have a constant, variable, or average bitrate. ' . $SITENAME . ' recommends LAME as an MP3 encoder because it is open source, customizable, and outputs high quality MP3 files. +

Constant Bitrate (CBR)

+When encoding a constant bitrate (CBR) file, the user (you) chooses a preset bitrate and LAME targets that bitrate throughout the entire file. This means that every second in the file has the same number of bits, no matter how simple or complex the sound is. Every second in a CBR file has the same quality. Because silence is given the same number of bits as more complex sounds, CBR files are larger than VBR and ABR files of the same quality. This also means that CBR files have a predictable file size. +

Variable Bitrate (VBR)

+When encoding a variable bitrate (VBR) file, the user (you) chooses a preset quality and LAME targets that quality, letting the bitrate vary throughout the entire file. This means that every second of the file has a different number of bits that depends on how complex the sound is at that second. For example, a second of silence would receive much fewer bits than a second of loud, blaring music. Since VBR files target a certain quality instead of a certain bitrate, exact VBR file sizes are more unpredictable. +LAME has certain VBR presets ranging from V0 to V9. V0 is the highest quality VBR preset and V9 is the lowest quality VBR preset. The two most common VBR presets on ' . $SITENAME . ' are V0 (with a target bitrate of 245kbps) and V2 (with a target bitrate of 190kbps). V2 is the lowest quality LAME VBR preset allowed on ' . $SITENAME . ' for music torrents. +At a certain VBR preset setting, the average bitrate throughout the file is usually close to the target bitrate. However, keep in mind that the target bitrate is just a target — the average bitrate will not necessarily end up near the target bitrate. +

Average Bitrate (ABR)

+When encoding an average bitrate (ABR) file, the user (you) chooses a preset bitrate and LAME allows the bitrate to vary throughout the entire file, but the average bitrate of the file will be the bitrate you preset. This means that like CBR, the file size is predictable, and like VBR, the quality and bitrate of the music varies throughout the file depending on how complex the music is each second.

+However, ABR is not recommended by ' . $SITENAME . ' because it is a mix of both CBR and VBR, and it is thus unable to perform well on either. (Jack of all trades but master of none.) +'); + +newsbot(); + + include('publicfooter.php'); +?> \ No newline at end of file diff --git a/orpheus-rules.php b/orpheus-rules.php new file mode 100644 index 0000000..2d8753d --- /dev/null +++ b/orpheus-rules.php @@ -0,0 +1,78 @@ +The Golden Rules on ' . $SITENAME . ' are as follows:

+ +

Dupes

+A dupe is a torrent that is a duplicate of another torrent that already exists on the site. ' . $SITENAME . ' allows many different pressings of the same CD to coexist, as long the the CDs have different content.

+For example, International Versions (especially Japanese releases) often have bonus tracks that are not present in the original release or the US release. Uploading a release with bonus tracks when the original release has already been uploaded is not considered a dupe because there is different content on both CDs. + +

Trumps

+The process of replacing a torrent that does not follow the rules with a torrent that does follow the rules is called trumping.
The most common trumps are format trumps, tag trumps, and folder trumps. + +

Format Trumps

+The following chart shows the hierarchy of format trumps. +

+At the top of each column in a green box are formats that can never be trumped. We recommend that you only upload in these formats in order to prevent your torrents from being trumped by other users.
+Lossy Format Trump Rules + +Lossless Format Trump Rules + +

Tag Trumps

+Tag trumps happen when the original torrent either doesn’t have the required tag fields or the information in one of the tag fields is completely wrong or misspelled. In the case of misspelled words, the spelling must be entirely off in order for the tag trump to be considered (for example, missing prepositions like “the” or “a”, or a couple letters being in the wrong order like “lvoe” instead of “love” is not enough for a tag trump). + +

Folder Trumps

+Folder trumps happen when the original torrent’s folder is not named like it should be. Folders should at the very least include the album name, but should hopefully also include the year released and music format. Nested folders are also not allowed. + +'); + +newsbot(); + + include('publicfooter.php'); +?> \ No newline at end of file diff --git a/preparefortheinterview.php b/preparefortheinterview.php new file mode 100644 index 0000000..d316ef1 --- /dev/null +++ b/preparefortheinterview.php @@ -0,0 +1,24 @@ +You are responsible for knowing all of the information on this site.

+In order to receive an invite to ' . $SITENAME . ', you must pass our interview. Though every interview is different, the information you must learn in order to pass each interview is the same: +
    +
  1. Analog and Digital Music Sources — What’s the difference between vinyl and CDs?
  2. +
  3. Audio Formats — What are the different types of music formats, and which are allowed on ' . $SITENAME . '.
  4. +
  5. MP3 — Everything you need to know about LAME and LAME Presets.
  6. +
  7. Transcodes — How you can figure out if a transcode is good or bad.
  8. +
  9. Torrenting — BitTorrent vocabulary, ratio, and more!
  10. +
  11. Spectral Analysis — The best way to determine the bitrate of an unknown music file. (Pretty pictures!)
  12. +
  13. CD Burning and CD Ripping — How to make the best possible CD rip.
  14. +
  15. ' . $SITENAME . ' Rules — Break them and perish.
  16. +
+Luckily, everything you need to know is right on this site! Make sure you carefully read through all of the pages under the Knowledge menu before you even think of queuing in ' . $interviewchan . '. Take notes if you wish, however, you may NOT use these notes while taking an interview.'); + +newsbot(); + + include('publicfooter.php'); +?> \ No newline at end of file diff --git a/publicfooter.php b/publicfooter.php new file mode 100644 index 0000000..03ae280 --- /dev/null +++ b/publicfooter.php @@ -0,0 +1,7 @@ +
+ Orpheus — + IRC Chat +
+ + + \ No newline at end of file diff --git a/publicheader.php b/publicheader.php new file mode 100644 index 0000000..73c6237 --- /dev/null +++ b/publicheader.php @@ -0,0 +1,38 @@ + + + + + <?=$SITENAME?> :: Interview Preparation + + + + + + + + + + + +
+

+ + + +

+ +

+Interview Preparation

\ No newline at end of file diff --git a/ratio.png b/ratio.png new file mode 100644 index 0000000..91658fa Binary files /dev/null and b/ratio.png differ diff --git a/sidebar.php b/sidebar.php new file mode 100644 index 0000000..35fcf65 --- /dev/null +++ b/sidebar.php @@ -0,0 +1,48 @@ +
\ No newline at end of file diff --git a/spectral-analysis.php b/spectral-analysis.php new file mode 100644 index 0000000..21b7f58 --- /dev/null +++ b/spectral-analysis.php @@ -0,0 +1,50 @@ +Spectral analysis is a visual way to display the data in a music file. Every music note has a specific frequency: lower notes have lower frequencies and higher notes have higher frequencies. All of the frequencies are displayed on a spectral diagram (“spectral” for short), which is a graph of all the frequencies vs. time in a music file. Frequencies are measured in hertz (Hz) and kilohertz (1,000 Hz). Humans have a hearing range from about 20 Hz — 20kHz (20,000 Hz). +

+Since spectrals show all the data in a file, they are helpful tools to use when you’re trying to decide whether or not a song has been transcoded. Every file has a relatively standard frequency cut-off. +

+Click on any of the spectrals below to view it in a higher resolution. + +

CD / Lossless

+Songs on a retail CD and lossless songs have frequencies that extend all the way to 22 kHz. Since lossless to lossless transcoding preserves all of the data in a music file, the spectral of a lossless song will look the same in FLAC, WAV (PCM), ALAC, etc. + +

+ +However, different genres have different-looking spectrals. The example above was a pop song, so most of the frequencies were represented. But look at this classical piano song. + +

+ +It looks much different, right? But it’s still a lossless spectral! Notice how “white noise” (the light purple) still extends to 22 kHz, even though those frequencies aren’t used. +

MP3

+Different types of MP3s have different frequency cut-offs. MP3s also tend to have a “shelf” at 16 kHz (you’ll see it in the spectrals). +

MP3 320kbps (CBR) has a frequency cut-off at 20.5 kHz.

+

+

MP3 256kbps (CBR) has a frequency cut-off at 20 kHz.

+

+

MP3 V0 has a frequency cut-off at 19.5 kHz.

+

+

MP3 192kbps (CBR) has a frequency cut-off at 19 kHz.

+

+

MP3 V2 has a frequency cut-off at 18.5 kHz.

+

+

MP3 128kbps (CBR) has a frequency cut-off at 16 kHz.

+

+

Transcodes

+How are spectrals helpful when trying to detect transcodes? Say you download a song in FLAC from a blog. The only way to verify that this song is truly a lossless file and not a transcoded file is by looking at its spectral. (Programs like AudioIdentifier are not reliable at detecting transcodes.) +

+For example, the spectral below is of a FLAC file: the file extension is .flac, it is 21.8 MB, and it sounds okay. +

+But whoa, does that look anything like what a regular FLAC spectral should look like? No! This file was transcoded from MP3 192kbps (CBR) to FLAC. It’s a lossy to lossless transcode, which is bad. +

Programs

+For spectral analysis, we recommend using either Adobe Audition (Windows or Mac OS), Audacity (Windows, Mac OS, Linux), and SoX (Windows, Mac OS, Linux — command line only). All of the spectrals that appear in this guide were viewed in Adobe Audition CS 6. +Although you should use spectral analysis to determine whether a file is a transcode or not, you will need to use another program to first determine what bitrate or encoding preset the file claims to be. For this purpose, we recommend using Audio Identifier or dbPowerAmp on Windows and dnuos or MediaInfo on Mac OS.'); + +newsbot(); + + include('publicfooter.php'); +?> \ No newline at end of file diff --git a/starting-the-interview.php b/starting-the-interview.php new file mode 100644 index 0000000..7c4c331 --- /dev/null +++ b/starting-the-interview.php @@ -0,0 +1,62 @@ +Getting an IRC Client +Internet Relay Chat (IRC) is a beefier version of chat clients you may be used to, like AOL Instant Messenger (AIM) or Yahoo! Messenger. +

Suggested Clients

+
    +
  • mIRC (Windows)
  • +
  • Hexchat (Windows, Linux)
  • +
  • Colloquy (Mac OS)
  • +
+Note: Web-based IRC clients, such as Mibbit, are very unstable, and therefor not recommended to use.

+Once you have downloaded, installed, and set up your IRC client, read on! + +

Connecting to ' . $SITENAME . '’s IRC

+YOU MAY ONLY INTERVIEW ON YOUR HOME CONNECTION. Proxies, bouncers, shells, office lines, and other non-home connections (including using your friend’s home connection) are not allowed. You may connect from your university dormitory.
+


+IRC Server: irc.orpheus.network
+Port: 6667 (+7000 for SSL)

+ +After you have connected to ' . $SITENAME . '’s IRC network, type: “/join ' . $interviewchan . '” (without the quotation marks) and follow the directions in the topic. + +

Speedtest

+ +In order to join the queue, you will have to take a speedtest on your home connection (remember, you may ONLY interview on your home connection!).
+If you live at college, please explain this to your interviewer.
+
    +
  1. Go to http://www.speedtest.net.
  2. +
  3. Click on “BEGIN TEST” (blue button).
  4. +
  5. Wait for your test to finish.
  6. +
  7. Click on “SHARE THIS RESULT” (green button).
  8. +
  9. Click on the “IMAGE” tab
  10. +
  11. Click “COPY” (blue button).
  12. +
+ +

Queuing

+Back in ' . $interviewchan . ', simply wait for an available interviewer.
+ +

How to use the bot

+To enter the queue, enter the following command in your IRC client: “/msg Hermes !queue speedtestlink” (without the quotations, replacing “speedtestlink” with your correct speedtest link.)
+Example: “/msg Hermes !queue http://www.speedtest.net/result/1234566.png”
+After queueing correctly, you will get a small notice from the Hermes bot.
+How to exit the queue: To exit the queue, simply type the following command in your IRC client:
+“/msg Hermes !cancel”
+How to view information about the queue: To view information about your current position in the queue, and how long you have waited, simply type the following command in your IRC client: “/msg Hermes !info”

+Important:
+Make sure you are queueing with the correct link and not the “Web” link.
+Correct: http://www.speedtest.net/result/1234566.png
+Wrong: http://www.speedtest.net/my-result/1234566

+Then wait for an interviewer to interview you.
+

But I’ve waited forever!

+All of our interviewers are ' . $SITENAME . ' users who who voluntarily interview, so you may have to wait a while before you are interviewed. Although it seems like a lot of interviewers are in the channel, many of them may be “idling” (they are in the channel but are unable to interview).

+

More Questions?

+Note: ' . $interviewchan . ' is the ONLY channel that you will need to join. Other channels are for ' . $SITENAME . ' users only and are closed for non-members.'); + +newsbot(); + +include('publicfooter.php'); \ No newline at end of file diff --git a/torrenting.php b/torrenting.php new file mode 100644 index 0000000..183065d --- /dev/null +++ b/torrenting.php @@ -0,0 +1,35 @@ +Bittorrent +BitTorrent is a system that allows users to share data with each other. Information about the data you want to download is held in a .torrent file, and other people who have added the same .torrent file in their torrent client are called peers. When you download a file, you are leeching from other peers who already have the data. When you finish downloading the file and make yourself available to upload, you are seeding the data to other peers. Although you may have many files seeding, you will not receive upload credit until another peer leeches from you. In other words, you will not gain upload credit for just seeding torrents, though your required ratio will be lower than if you were not seeding torrents. It is possible to seed and leech at the same time because BitTorrent clients download chunks of data, and as soon as your BitTorrent client downloads one chunk of data it may be seeded to other peers. BitTorrent uses a specific protocol based on upload speeds and the number of other peers in order to choose which pieces of the torrent to download from which peer. +

Clients

+A BitTorrent client is a program that allows you to connect to the BitTorrent system. Think of BitTorrent like the internet and BitTorrent clients as internet browsers. There are multiple different internet browsers with different features, but they connect to the same internet. Click here for the BitTorrent clients that are on the whitelist, or allowed on ' . $SITENAME . '. You will not be able to connect to peers from ' . $SITENAME . ' (and thus download data) if your BitTorrent client is not on the whitelist. If there is an “x” behind a decimal, that means that any number can be substituted for the x. For example: uTorrent 2.0.x means that uTorrent 2.0.0, 2.0.1, 2.0.2, 2.0.3, 2.0.4, etc. are all on the whitelist. +

Ratio

+A ratio is a comparison between your downloaded and uploaded data (this is also known as a fraction). Dividing the amount of data you have uploaded by the amount of data you have downloaded gives you your ratio. A ratio of 1.0 is healthy because it means you have downloaded as much data as you have uploaded. Ratios significantly under 1.0 are unhealthy because it means that you are not contributing as much to the community as you are taking from it. Ratios significantly above 1.0 are also unhealthy because it means that you are “hoarding” upload instead of giving back to the community by downloading more. We realize that it may be difficult to maintain a ratio on ' . $SITENAME . ', so we have a ratio system to help out our users. Your required ratio is the ratio you must maintain in order to be able to keep downloading torrents. The required ratio is calculated based on how many torrents you are seeding and how much data you have downloaded. +

+Notice that your required ratio is much lower if you seed 100% of the torrents you download for at least 72 hours each week. In fact, you would have a required ratio of 0 until you download more than 20 GB if you seed all of your torrents! NOTE: This does not mean you should only seed for 72 hours. It is in your interest, particularly as a new user, to seed for as long as possible. This will help maintain your ratio and help keep content available for everyone. +If you fall below your required ratio, you will be put in ratio watch for two weeks. If you are unable to improve your ratio in this time period, your leeching privileges (ability to download) will be disabled. In order to get your leeching privileges re-enabled, you can fill requests or upload new torrents, as well as continue to seed the torrents you have already downloaded. DO NOT upload torrents that are against the rules, like transcodes, mutt rips, or duplicates. Failing to follow the upload rules, especially when you are in ratio watch, will result in a warning. If you download more than 10 GB while on ratio watch, your leeching privileges will be immediately disabled. +

Freeleech and Neutral Leech

+Generally the exact amount of data you upload and download is recorded in your ratio. However, this is not so with torrents that are marked freeleech or neutral leech. When a torrent is marked freeleech, it means that the amount of data you download from this torrent will not be recorded in your ratio, but the amount of data you upload from this torrent will be recorded in your ratio. On special occasions there may be Staff Picks (albums that staff members recommend), which are usually freeleech. Freeleech torrents are a good way to build up your ratio. When a torrent is marked neutral leech, it means that neither the amount of data you download nor the amount of data you upload from this torrent will be recorded in your ratio. +

Port Forwarding

+Port forwarding allows computers on the public internet to connect directly to your computer. Most home internet providers use Network Address Translation(NAT) to allow home users to connect as many devices to their router (also known as a modem or wireless unit) as they desire. NAT can also prevent direct connections from the public internet to your computer. Port forwarding tells your router or modem to ensure all requests made on a specific port reach a specific computer inside the NAT. Your BitTorrent client runs on a certain port on your computer (you can assign the port), and by forwarding this port, you make yourself more connectable to other computers. Using port forwarding for connectability increases the chances that your client will upload data to a peer who is leeching. +

+ +You can learn more about port forwarding as well as get specific directions on how to set up a port forward on your home router or modem at Port Forward. You can test your port forward by using Can You See Me and putting in your forwarded port number to be tested. You can find which port your BitTorrent client uses under your client’s preferences (for uTorrent: Options > Setup Guide ; for Transmission: Preferences > Network). + +

DHT

+A Distributed Hash Table (DHT) is used by BitTorrent clients to obtain lists of peers without a centralized tracker (' . $SITENAME . ' has its own private tracker, as do other private tracker sites). Though DHT can make it quicker for you to leech data on public trackers, DHT is bad for private trackers because it allows peers who are not members of the private tracker to access the torrents on the tracker. DHT should be turned off in your torrent client. +

Partial Seeders

+A partial seeder is a peer who has downloaded and is seeding part of a torrent. The peer looks like a leecher; however, he has no intention of downloading the rest of the torrent. Huge torrents like Rosetta Stone Multi-Language MegaPack (38 GB) and a 30 CD Mozart Box Set (50 GB) often have a large number of partial seeders. These torrents should never be downloaded in an attempt to increase ratio. +

Marking Torrents As Private

+When creating torrents to upload to a private tracker, there is a box to “mark torrent as private”. You should always check this box, as it keeps peers who are not members of ' . $SITENAME . ' out of the peer list. This is for your security and that of all the site members.'); + +newsbot(); + + include('publicfooter.php'); +?> \ No newline at end of file diff --git a/transcodes.php b/transcodes.php new file mode 100644 index 0000000..04a9aae --- /dev/null +++ b/transcodes.php @@ -0,0 +1,32 @@ +Transcoding (verb) a file means converting from one format to another. A transcode (noun) can mean any converted file, but is usually used in a negative context (as in a bad transcode). +

Good Transcodes

+A good transcode means that during the transcode process, the file has either never been converted to lossy, or the file has only been converted to lossy once during the last step. +
+

Examples of good transcodes:

+
    +
  • uncompressed lossless > compressed lossless
  • +
  • compressed lossless > uncompressed lossless
  • +
  • compressed lossless > compressed lossless
  • +
  • uncompressed lossless > lossy
  • +
  • compressed lossless > lossy
  • +
+

Bad Transcodes

+A bad transcode means that during the transcode process, the file has either been converted to a lossy format more than once, or the file has been converted from lossy to lossless. Bad transcodes are prohibited on ' . $SITENAME . '. +

Examples of bad transcodes:

+
    +
  • higher lossy bitrate > lower lossy bitrate
  • +
  • same bitrate lossy > same bitrate lossy
  • +
  • lossy > lossless
  • +
'); + +newsbot(); + + include('publicfooter.php'); +?> \ No newline at end of file diff --git a/trumpchart.png b/trumpchart.png new file mode 100644 index 0000000..103ad42 Binary files /dev/null and b/trumpchart.png differ